Jeffrey Goldberg writes "What's Your Problem?", an advice column in The Atlantic. His most recent column answers a question from B.F. of Philadelphia, who asks:
For some reason, I don't get the hidden references of important songs. For instance, I was shocked to learn that the Rolling Stones' "Start Me Up" is about a vibrator. Could you tell me what else I'm missing in famous pop and rock songs?
You are missing quite a bit. While the lyrics of many songs are fairly straightforward—the AC/DC canon contains little in the way of ambiguity or poetic complexity, and 2Live Crew’s “Me So Horny” is about a man who is, in fact, very horny—I myself am continually surprised to learn the hidden meanings embedded in other works. For instance: Bob Dylan’s “Tambourine Man” is actually a Minnesota Vikings fight song. “Heart of Gold,” by Neil Young, is about the boutique allure of midget porn. The entire Justin Bieber oeuvre concerns the secret shame of knowing that he is a terrible musician and, nevertheless, fabulously wealthy. Van Morrison’s “Brown Eyed Girl” is about heroin. Pink Floyd’s “Comfortably Numb” is about heroin. The Beatles’ “Hey Jude” is about heroin. Lou Reed’s “Heroin” is about cocaine. Eric Clapton’s “Cocaine” is about the earned-income tax credit. If you play Queen’s “Bohemian Rhapsody” backward, it asks you to subscribe to The Atlantic. The Nirvana song “Smells Like Teen Spirit” is about carbohydrates (“Here we are now/ with potatoes/ with a Mars bar/ and potatoes”). “Stairway to Heaven” is not about anything.